'Feathers' is the fourth studio album by Washington DCÕs Dead Meadow, its second for Matador Records, and its first as a quartet with new guitarist Cory Shane. Dead Meadow play an unusual blend of flawless Hendrix/Sabbath riffage, dreamy psych, heavy undulating rhythms, dirty blues-rock, and environmental jams, with eerie high-pitched vocals. Miles beyond Òstoner rockÓ gimmickry, this is a beautifully natural sound, played by expert instinctive musicians

Dead Meadow met in the DC punk/indie scene, though their music draws from more faraway sources. The band formed in the fall of 1998 from the ashes of local bands The Impossible Five and Colour, when singer-guitarist Jason Simon, bassist Steve Kille, and drummer Mark Laughlin set out to fuse their love of early 70's hard rock and 60Õs psychedelia with their love of writers J.R.R. Tolkien and H.P. Lovecraft.

Dead Meadow released their six-song debut in 2000 on Fugazi bassist Joe Lally's Tolotta Records, and a joint vinyl release on D.C. indie label Planaria Records. In 2001 the band released its second album, Howls From The Hills, on Tolotta. Where the first self-titled album was recorded in their practice space for a couple hundred dollars and plenty of learning curves, Howls From The Hills was born in a barn in Liberty, Indiana. Their sound fuller without losing its live essence, the band grew to encompass everything from ambient guitar drones to surging psych-funk sludge, blues-folk tunes to barbiturate space-rock, and some southern slow boogie thrown in for good measure.

Dead Meadow released their six-song debut in 2000 on Fugazi bassist Joe Lally's Tolotta Records, and a joint vinyl release on D.C. indie label Planaria Records. In 2001 the band released its second album, 'Howls From The Hills,' on Tolotta. Where the first self-titled album was recorded in their practice space for a couple hundred dollars and plenty of learning curves, 'Howls From The Hills' was born in a barn in Liberty, Indiana. Their sound fuller without being overcomplicated or losing any of its live organic essence, the band grew to encompass everything from ambient guitar drones to surging psych-funk sludge, sparse blues-folk ballads to distorted barbiturate space-rock, and a sprinkling of southern slow boogie thrown in for good measure.

In spring 2002, original drummer Mark Laughlin reluctantly quit the group, replaced by old friend and previous collaborator Stephen McCarty (whose grandfather's farmhouse is where the band recorded Howls From the Hills). Also in mid-2002 the band found an unlikely patron in Brian Jonestown Massacre's Anton Newcombe, who recorded, produced and printed Dead Meadow's live disc 'Got Live if You Want' it on his ""Committee to Keep Music Evil"" imprint of the legendary Bomp label. Soon after, they recorded a Peel Session at the Fugazi practice space - the first time the BBC recorded a Peel Session outside their own studios.

Shortly after signing with Matador in 2003, Dead Meadow self-produced 'Shivering King And Others' in the basement studio of the DC Pirate House over five months and during a busy schedule of touring. Along with the heavy rockers and bluesy numbers as on the previous two records, the band went deeper into the psychedelic realm, with chiming acoustic touches and lovely, disorienting ballads.

With the addition of 2nd guitarist Cory Shane and beautifully spacious production, 'Feathers' opens up the Dead Meadow sound still further, seeming at once more experimental and more accessible than anything theyÕve recorded thus far. The record captures the famous intensity of their live show, but songs like ""At Her Open Door"" and ""StacyÕs Song"" reveal an obsessive beauty as jarring as sheer volume. JasonÕs guitar virtuosity is at its peak, as influenced by the droning modal character of Eastern music as by classic rock riffs. Ever deeper, Dead Meadow remain one step ahead of expectations.

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